Sometimes I thought like wow it’s so strange to have a time based piece of art that in order for it to be seen I have to enact it. But, yes my relationship has changed … it still feels relevant to the audiences that we play to, it doesn’t feel relevant to me and my current interest artistically but it doesn’t feel like a penance to perform it. “… it’s so complex and it’s also like my relationship to the material is more physical than it is linguistic. How your relationship to the material changed …? “… that’s the way you are going to be able to make your own style, if you are able to assess your own personal safety and you’re able to move in between these places of rest, these places that you know will keep you on the thing”
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That’s my process of trying to create authentic movement.” I try to spend a lot of time finding my points of contact, assessing what I need to engage in my body to stay up in the air and stay safe while I’m there and then making choices with all the rest of my body. “… dedicated to finding transitions, finding story within the phrases I am working through, finding ways that I can make choices in the air … instead of my shapes looking like what I’ve learned in class or what would be known as traditional. “In a world where every trick and transition under the sun is already out on Instagram and YouTube, how do you go about making art that is truly your own? … aerialist, choreographer, and studio owner Liza Rose … found ways to create her own art and her own opportunities.
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If you still need convincing, here are some of my favourite snippets that I related to with regards to my dance practice, choreography creation, and how I think about dance and circus as I get older, Whether dance for you is your full time job, a hobby, or just a way to stay fit and healthy, these insights into the artists’ practice may help you find new inspiration, new motivation, or just comfort that your journey is shared by others. Her interviews with contortionists, circus coaches, physiotherapist, and acrobats are going to open your mind to the range of talent and knowledge that could help you in your aerial dance journey. You can find The Artist Athlete in the usual places, but I highly recommend you listen to her podcast! She is currently up to episode 16, so you have lots to binge on if you are just getting started. And finds people to interview that actually know some of the answers!
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She asks the questions that keep me awake at night.
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I don’t know if these ideas were part of Shannon McKenna’s goal when she created The Artist Athlete, but I am so glad to have found a source of knowledge and experience that can guide me through the tents and fanfare of the circus, right to the nitty-gritty stuff. What could the lineage of circus and pole offer each other in terms of show creation and training advice?” Let’s bridge the gap –ĭo pole dancers consider themselves “aerialists”? This is now, an invitation to you, as pole dancers, to reach a little further and come and visit the world of The Artist Athlete. I would love to know some more dancers who also train this way. Jamilla Deville straddles these worlds quite successfully, training cross-fit alongside pole to balance her body, reduce training bias, and prevent injuries. We ask our bodies to do amazing feats of strength and flexibility, twisting, lifting, and bending, and then attempt to merge these movements with grace, story telling, emotion, and meaning. Anyone in the world of circus, or aerial, or pole for that matter falls into the mixed up world of artists and athletes. Shannon McKenna is The Artist Athlete and is my most recent girl crush and go to for training advice and circus knowledge. I train with many apparatus since having been adopted by the circus and as much as I cannot wait to return to pole (yes it will happen!) I am loving the new discoveries I am making about my body, movement, and dance while on hammock, silks, and lyra. For those who have been following my aerial dance journey, you will know that I have transitioned from calling myself a pole dancer to now an aerialist.